By the time a corporate script reaches the voice talent, it has usually been through a dozen sets of hands. Legal reviewed it. Marketing revised it. Someone in procurement touched it. Whatever was human about it when the writer started has been carefully, thoroughly removed.
My job is to find what’s left and make it land anyway.
That’s not a line. That’s what good corporate narration actually is. You’re not looking for an announcer reading words. You’re looking for someone who can take a script about enterprise software or quarterly results or safety compliance and make the listener believe a real person is talking to them.
What Corporate Narration Sounds Like When It Works
It sounds like someone talking. Not performing. Not projecting. Just talking, at the right pace, with the right weight on the right words.
Corporate audiences are not stupid. They can hear the difference between a voice actor who is doing an impression of a sincere person and someone who actually sounds like they mean it. The first one gets background noise. The second one gets watched.
I’ve been behind a microphone since 1996. Broadcast audio trains you to communicate clearly to people who aren’t paying full attention. That’s most corporate video audiences. They’re at their desk, half-distracted, giving the screen part of their focus. You have to earn the rest.
What I Record
Corporate training videos. Executive communications. Product launch videos. Safety and compliance modules. Brand films. Internal communications. Town halls. Investor content. Anything that needs a voice that sounds credible and human at the same time.
Turnaround on corporate narration projects is typically 24 to 48 hours for standard length. Longer projects are scoped per project.
The Tone
Warm. Direct. Authoritative without being stiff. I’m not doing the voice of an institution. I’m doing the voice of the best version of the person that institution would want representing them.
If you need someone who can modulate between a motivational segment and a compliance-heavy segment in the same module without it sounding like two different people read it, that’s the work.
How to Book
Send the script through the contact page and I’ll respond with a rate and timeline. Most projects are straightforward. If yours isn’t, we’ll talk it through before anything gets signed.
I work directly with agencies, production houses, and in-house creative teams. No middleman, no markup. You’re talking to the voice.